two years ago me and my dog were watching tv and someone threw a frisbee off screen and he tried to get behind the tv to catch it but it wasnt there i feel like it eternally confused him and hes still searching for that frisbee
I just noticed something in the background while taking a selfie and I was really fucking scared
It took me a moment to realize that this is a part of my bodywhy would you take selfies in your bathtub
"You don’t have to feel alone anymore…"
the image is transparent! Drag across to see the rest.
I feel like these characters have the same qualities of feeling alone and creating a world of their own out of ice for comfort.
I WANT A LITTLE POLAR BEAR
Among the stupider things I found while hunting for gifs.
Obviously when you’re not a Vanderbiltian silver fox, the sun just shifts it’s lighting all the time to make you look the exact same in all situations. It’s cosmic affirmative action!
This is a good post by one of the creators of Avatar: The Last Airbender on color theory, and how color can look completely different depending on surrounding colors and context.
Uhh…that last image isn’t from the Aladdin film…It’s from a porn comic. It’s been cropped, in the full image he’s being blown by Hercules.
Ugh. Fine. Just this once though.
Well, the quickest way to tell is with the knowledge that Disney’s actual Aladdin doesn’t have friggin’ nipples.
My old student portfolio for Visual Development (Character Design) based on “Wicked”
Because I often receive questions about portfolios, I thought, well, maybe it would be helpful for some to share my own personal experience accompanied by some visuals. Namely, my own portfolio I submitted to transition from the Animation department to the Visual Development department of Disney Feature Animation.
Now one thing that I will mention here as a disclaimer, and something that will probably be reiterated through out this post is that this is only my personal experience, and there is definitely not any sort of “formula” to make a portfolio for the Disney’s Vis dev. Portfolios that look nothing like this, share no common element, is just as likely to get you into the vis dev department. The acceptance is made by a committee of people, and not just one person’s personal taste or criteria.
Way back in the summer of 2007, I was an artistic intern at Disney. (Mainly 2D character animation, but also some story and vis-dev on the side.)
I was having lunch with one of our mentors at that time, Claire Keane, in which she gave us some advice on structuring a visual development portfolio.
One of her suggestions that stuck to me was to take one story, and dedicate the entire portfolio to it, as if you were developing that into a feature film.
This idea sounded good to me, because it made sense. It’s a semi-simulation of the kind of things you would be doing as a professional artist at Disney anyway, (which gives the reviewers a much better, reliable idea of how you would perform as a contributor) but it also gives the spectator a slightly more immersive viewing experience, as they are taken through one continuous story, with characters they understand, rather than having to adjust to brand new content with the turn of each page.
The many times I have reviewed portfolios, I have also found it a slight handicap to have to ask the artist, “Now, what is this thing from?” 4 or 5 times in one portfolio.
So in 2008, while I was working on Princess and the Frog, (still as a full time student at Calarts), I started on this visual development portfolio. I chose my story to be Wicked, the musical, which I am sure many of you are familiar with.
Now one thing before I elaborate further…
If I thought sharing with you my Frozen artwork was uneasy, showing this portfolio (which is my student portfolio from many years ago)… I honestly cannot shake the embarrassment.
But, as Tarkovsky once said, artists are there to serve.. And for one thing, after years of deciding never to show this portfolio on a public platform, I came to the conclusion of this; that it was always rather difficult talking about the type of portfolio that gets you into the doors of the animation industry, and because portfolios are so visual, visual accompaniment just makes more sense.
And for another, I always liked to see other artist’s various stages of development. Obviously nothing here represents me currently, but more shows where I used to be in the past.
When I look back at this portfolio, obviously I see so many flaws in terms of draftsmanship, design choices, character choices, taste etc, and I want to fix them all. But again, the purpose of this post isn’t to show who I am as an artist right now, but to dig up my past and say “Well this is how it happened for me in the past.”
Here is part 1 of the portfolio. I know for some it may be frustrating to have this divided into 2, but the nature of tumblr posts seem to want things kept short. So I’ll try and post part 2 of the portfolio as soon as possible. I want to say within the next day or two, but there’s just never knowing with when I’ll get another free moment.
I think what is probably most important to show in your portfolio is a strong draftsmanship, a good taste in design choices, and a special intuition for characterization.(I’m speaking for my own criteria when I review portfolios, and I don’t claim to represent anyone else’s.)
As you can see I also tried to pay attention to the presentation of the portfolio, which is why I tried to design the layout of it with the theme of “drawer of a Shiz student”.
I’ll probably try to address some of those things that I mentioned in future posts perhaps.
I hope this old student portfolio of mine gave you a better idea on who to shape your own. One thing I would recommend is to not copy exactly the method I used to form a portfolio, but see it more as a solution that will hopefully help you come up with your own solution on how to structure a portfolio.
Next up is Part 2, with some development designs of Fiyero, the Wizard, the Flying monkeys etc
I’d never, ever hurt a lady but I’d be happy to punch a feminist.
It’d bring me great joy.
I’m 6’2 and weigh 180lbs
ready when you are
Or if you’d like to have some more options….
and have 9 years of combined martial arts training and 3 years of being a Line Backer in football.
Just in case you are looking for variety.
what about a lady and a feminist. warning, combatives certified soldier.
IT GOT BETTER.
I’ve been laughing for three years over the fact that in ye old England you could chose to have ‘trial by cake’ in which you ate a piece of cake and if you choked you were guilty and if you didn’t you were innocent, and the only time it was used the guy on trial fucking choked and was executed for it